Wij willen met u aan tafel zitten en in een openhartig gesprek uitvinden welke uitdagingen en vragen er bij u spelen om zo, gezamelijk, tot een beste oplossing te komen.
Oftewel, hoe kan de techniek u ondersteunen in plaats van dat u de techniek moet ondersteunen.
That’s true of its approach to horror, with intense, bloody scenes that prompted plenty of screaming and pausing from your hosts at the Original Content podcast. It’s also true of its thematic material — right around the time one of the characters accuses another of being communist, you’ll slap yourself on the forehead and say, “Oh, it’s about capitalism.”
The new Netflix film takes place in a mysterious prison, with two prisoners on each level (they’re randomly rotated each month). Once each day, a platform laden with delicious food is lowered through the prison. If you’re on one of the top levels, you feast. If you’re further down, things are considerably more grim, and can become downright gruesome as the month wears on.
“The Platform” is a hard movie to sit through, and it has other faults, like an irritatingly mystical ending. But it’s certainly memorable, and even admirable in its dedication to fully exploring both the logistical and moral dimensions of its premise.
You can listen to our review in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)
And if you’d like to skip ahead, here’s how the episode breaks down: 0:00 Intro 0:27 “The Platform” review 17:29 “The Platform” spoilers
Netflix is picking up “The Lovebirds,” an upcoming romantic comedy starring Kumail Nanjiani and Issa Rae.
“The Lovebirds” reunites Nanjiani with director Michael Showalter. Their previous collaboration, “The Big Sick,” was distributed by Amazon Studios, who gave it a theatrical release before moving to streaming.
Paramount has already delayed a number of its releases, including “The Lovebirds” (originally scheduled for April 3) and “A Quiet Place II.” This is the first time the outbreak has prompted one of the major studios to have cancel a theatrical release entirely in favor of Netflix, but Paramount had an existing deal with the streamer and previously chose to distribute “The Cloverfield Paradox” via Netflix rather than theaters.
This approach likely makes more sense for a mid-budget romantic comedy like “The Lovebirds” than it does for a big-budget blockbuster — but according to The Wrap, Warner Bros. is even considering a streaming release for this summer’s “Wonder Woman.”
“The Family” is a new documentary series on Netflix, based on the work of journalist Jeff Sharlet — whose books promise to expose “the secret fundamentalism at the heart of American power” and “the fundamentalist threat to American democracy.”
Sarah Perez joins us on the latest episode of the Original Content podcast to discuss the series series, which offer a fascinating glimpse at a secretive group of evangelical Christians known only as The Family. Their most high-profile activity involves organizing The National Prayer Breakfast, an even that attracts major political figures, including every U.S. president since Eisenhower.
While the series opens with extensive, sinister and often cheesy reenactments showing Sharlet’s introduction to The Family, later episodes offer a broader perspective, interviewing figures who are part of or remain sympathetic to the organization, and pressing Sharlet on whether his view on The Family is correct.
Ultimately, “The Family” seems more interested in raising questions — about a specific organization and about the broader role of Christianity in American politics — than it is in answering them. It’s an admirable stance, but one might leave viewers a bit unsatisfied when they reach the end of the five-episode series.
It’s perhaps not for nothing that The Great Hack – the new Netflix documentary about the connections between Cambridge Analytica, the US election and Brexit, out on July 23 – opens with a scene from Burning Man. There, Brittany Kaiser, a former employee of Cambridge Analytica, scrawls the name of the company onto a strut of ‘the temple’ that will eventually get burned in that fiery annual ritual. It’s an apt opening.
There are probably many of us who’d wish quite a lot of the last couple of years could be thrown into that temple fire, but this documentary is the first I’ve seen to expertly unpick what has become the real-world dumpster fire that is social media, dark advertising and global politics which have all become inextricably, and, often fatally, combined.
The documentary is also the first that you could plausibly recommend those of your relatives and friends who don’t work in tech, as it explains how social media – specifically Facebook – is now manipulating our lives and society, whether we like it or not.
As New York Professor David Carroll puts it at the beginning, Facebook gives “any buyer direct access to my emotional pulse” – and that included political campaigns during the Brexit referendum and the Trump election. Privacy campaigner Carroll is pivotal to the film’s story of how our data is being manipulated and essentially kept from us by Facebook.
The UK’s referendum decision to leave the European Union, in fact, became “the petri dish” for a Cambridge Analytica experiment, says Guardian journalist Carole Cadwalladr She broke the story of how the political consultancy, led by Eton-educated CEO Alexander Nix, applied techniques normally used by ‘psyops’ operatives in Afghanistan to the democratic operations of the US and UK, and many other countries, over a chilling 20+ year history. Watching this film, you literally start to wonder if history has been warped towards a sickening dystopia.
The petri-dish of Brexit worked. Millions of adverts, explains the documentary, targeted individuals, exploiting fear and anger, to switch them from ‘persuadables’, as CA called them, into passionate advocates for, first Brexit in the UK, and then Trump later on.
Switching to the US, the filmmakers show how CA worked directly with Trump’s “Project Alamo” campaign, spending a million dollars a day on Facebook ads ahead of the 2016 election.
The film expertly explains the timeline of how CA had first worked off Ted Cruz’s campaign, and nearly propelled that lack-luster candidate into first place in the Republican nominations. It was then that the Trump campaign picked up on CA’s military-like operation.
After loading up the psychographic survey information CA had obtained from Aleksandr Kogan, the Cambridge University academic who orchestrated the harvesting of Facebook data, the world had become their oyster. Or, perhaps more accurately, their oyster farm.
Back in London, Cadwalladr notices triumphant Brexit campaigners fraternizing with Trump and starts digging. There is a thread connecting them to Breitbart owner Steve Bannon. There is a thread connecting them to Cambridge Analytica. She tugs on those threads and, like that iconic scene in ‘The Hurt Locker’ where all the threads pull-up unexploded mines, she starts to realize that Cambridge Analytica links them all. She needs a source though. That came in the form of former employee Chris Wylie, a brave young man who was able to unravel many of the CA threads.
But the film’s attention is often drawn back to Kaiser, who had worked first on US political campaigns and then on Brexit for CA. She had been drawn to the company by smooth-talking CEO Nix, who begged: “Let me get you drunk and steal all of your secrets.”
But was she a real whistleblower? Or was she trying to cover her tracks? How could someone who’d worked on the Obama campaign switch to Trump? Was she a victim of Cambridge Analytica, or one of its villains?
British political analyst Paul Hilder manages to get her to come to the UK to testify before a parliamentary inquiry. There is high drama as her part in the story unfolds.
Kaiser appears in various guises which vary from idealistically naive to stupid, from knowing to manipulative. It’s almost impossible to know which. But hearing about her revelation as to why she made the choices she did… well, it’s an eye-opener.
Both she and Wylie have complex stories in this tale, where not everything seems to be as it is, reflecting our new world, where truth is increasingly hard to determine.
Other characters come and go in this story. Zuckerburg makes an appearance in Congress and we learn of the casual relationship Facebook had to its complicity in these political earthquakes. Although if you’re reading TechCrunch, then you will probably know at least part of this story.
Created for Netflix by Jehane Noujaim and Karim Amer, these Egyptian-Americans made “The Square”, about the Egyptian revolution of 2011. To them, the way Cambridge Analytica applied its methods to online campaigning was just as much a revolution as Egyptians toppling a dictator from Cario’s iconic Tahrir Square.
For them, the huge irony is that “psyops”, or psychological operations used on Muslim populations in Iraq and Afghanistan after the 9/11 terrorist attacks ended up being used to influence Western elections.
Cadwalladr stands head and shoulders above all as a bastion of dogged journalism, even as she is attacked from all quarters, and still is to this day.
What you won’t find out from this film is what happens next. For many, questions remain on the table: What will happen now Facebook is entering Cryptocurrency? Will that mean it could be used for dark election campaigning? Will people be paid for their votes next time, not just in Likes? Kaiser has a bitcoin logo on the back of her phone. Is that connected? The film doesn’t comment.
But it certainly unfolds like a slow-motion car crash, where democracy is the car and you’re inside it.