Wij willen met u aan tafel zitten en in een openhartig gesprek uitvinden welke uitdagingen en vragen er bij u spelen om zo, gezamelijk, tot een beste oplossing te komen. Oftewel, hoe kan de techniek u ondersteunen in plaats van dat u de techniek moet ondersteunen.

You’ve probably already heard that HBO’s “Succession” (which recently completed its second season) is amazing. And as three East Coast tech reporters, we were probably the easiest targets for the show’s many charms.

Still, we felt like we had to talk about it. In fact, our “Succession” review on this episode of the Original Content podcast is perhaps our most epic discussion so far. And we probably would have gone for even longer, if we thought anyone would still be listening.

The series revolves around the Roy family, whose patriarch Logan Roy (played by Brian Cox) founded and still leads the Waystar Royco media empire. Throughout the course of the two seasons, his four children — heir apparent Kendall (Jeremy Strong), political fixer Shiv (Sarah Snook), snarky smart aleck Roman (Kieran Culkin) and libertarian weirdo Connor (Alan Ruck) — all take turns vying for their father’s attention and scheming against him.

All three of us loved “Succession,” but even without a long argument about the show’s merits, there was still plenty for us to debate: How a story with such morally bankrupt characters can still be so compelling, to what extend those characters are motivated by love versus hate versus greed (and whether they can even tell the difference) and who, in the end, deserves to sit on the corporate throne.

We also discuss next week’s launch of Disney+ and Apple TV+, and which shows we’re most excited about finally watching.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you want to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:41 Apple/Disney discussion
10:16 “Succession” spoiler-free review
25:50 “Succession” spoiler discussion


TechCrunch

“The Family” is a new documentary series on Netflix, based on the work of journalist Jeff Sharlet — whose books promise to expose “the secret fundamentalism at the heart of American power” and “the fundamentalist threat to American democracy.”

Sarah Perez joins us on the latest episode of the Original Content podcast to discuss the series series, which offer a fascinating glimpse at a secretive group of evangelical Christians known only as The Family. Their most high-profile activity involves organizing The National Prayer Breakfast, an even that attracts major political figures, including every U.S. president since Eisenhower.

While the series opens with extensive, sinister and often cheesy reenactments showing Sharlet’s introduction to The Family, later episodes offer a broader perspective, interviewing figures who are part of or remain sympathetic to the organization, and pressing Sharlet on whether his view on The Family is correct.

Ultimately, “The Family” seems more interested in raising questions — about a specific organization and about the broader role of Christianity in American politics — than it is in answering them. It’s an admirable stance, but one might leave viewers a bit unsatisfied when they reach the end of the five-episode series.

In addition to our review, we also discuss Apple’s announcement of pricing and a November 1 launch date for its TV+ streaming service.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you want to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:53 Reader feedback
3:30 Apple TV+ pricing and launch date
16:59 “The Family” review


TechCrunch

“The Red Sea Diving Resort,” a new film on Netflix, is based on the true story of Mossad agents who took over an abandoned holiday resort in Sudan to smuggle Jewish Ethiopian refugees out of the country.

As we explain in the latest episode of the Original Content podcast, the film feels like it’s made in the “Argo” mold, fashioning a political thriller out of a too-crazy-for-fiction events. But it’s not as well-made as “Argo,” while struggling with the same challenges — mixing serious and comedic tones, and balancing real-world politics with blockbuster thrills.

The balance feels particularly awkward with “Captain America” actor Chris Evans playing the Mossad agent leading the operation. He’s not bad in the role, but there’s not much substance or complexity to it, and his presence underlines the feeling that we’re watching a Hollywood fantasy.

The film also skimps on providing any broader political context. Maybe it deserves credit for not holding the audience’s hand, but as a result, all we know who the good guys are and who the bad guys. Meanwhile, none of the refugees — not even Kabede, who’s played by Michael K. Williams of “The Wire” — fully emerges a three-dimensional character.

Before our review, we discuss the apparent end of Disney and Sony’s agreement making Spider-Man part of the Marvel Cinematic Universe, news that prompted outrage and petitions from unhappy fans.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you’d like to skip ahead, here’s how the episode breaks down:

0:00 Intro
2:25 Spider-Man news
14:37 “Red Sea Diving Resort” review
37:02 “Red Sea Diving Resort” spoiler discussion


TechCrunch

When we reviewed “Another Life” last week, we described it as an old-fashioned science fiction space show, something that’s been absent from TV for the past decade or so. “Wu Assassins” is another new Netflix series, and it’s also is a kind of a throwback — this time to ’90s martial arts series like “Vanishing Son” and “Kung Fu: The Legend Continues.”

As we explain in the latest episode of the Original Content podcast, “Wu Assassins” — which tells the story of Kai, a San Francisco chef who receives mystical powers and must battle powerful nemeses known as the Wu Lords — has plenty of delightfully cheesy writing and special effects. But it’s set apart from those older shows in a couple key ways.

First, there’s the fact that Indonesian martial arts star Iko Uwais (who you might recognize from “The Raid” and “Star Wars: The Force Awakens”) plays as Kai — he’s not a great dramatic actor, but once the action starts, he becomes a blur of punches and kicks.

The producers have surrounded Uwais with other other accomplished martial artists, so the resulting fight scenes are extraordinary. “Wu Assassins” includes a couple big set pieces, but even more remarkably, every single fight (and there are plenty) feels like it’s been choreographed for the perfect mix of beauty and brutality.

Even better, there’s Byron Mann’s performance as Uncle Six, a ruthless triad boss who has a long history with Kai. Mann brings real charisma and humanity to his performance, and he turns his dramatic scenes with Uwais into absolute highlight of the show. Plus, he’s just as compelling when he’s called upon to beat the crap out of his enemies.

In addition to praising “Wu Assassins,” we also discuss the CBS-Viacom merger and listener response to our review of “Another Life.”

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you want to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:40 “Another Life” listener response
11:51 CBS/Viacom merger
20:30 “Wu Assassins” review
33:52 “Wu Assassins” spoiler discussion


TechCrunch

“Years and Years” is an unusual show. It’s a co-production of HBO and the BBC, and in the course of six hourlong episodes, it covers a span of more than 10 years in our near future.

During that time, we see the rise of a terrifying Trump-style politician in the United Kingdom named Vivian Rook (played by Emma Thompson), along with lots more political, economic and technological upheaval. All of this is seen through the eyes of Manchester’s Lyons family — grandmother Muriel and adult siblings Rory, Edith, Daniel and Rosie, plus their spouses and children.

No one in the family is a major power player; they simply watch everything change with a growing sense of dread. That, in large part, is what makes the show effective — it feels true to the experience of trying to get on with your life while the world shifts around you.

On the latest episode of the Original Content podcast, we spend the entire hour reviewing the show. We had some reservations about the finale — which seemed to abandon the strengths of the previous episodes — but even so, we were impressed by the series, and by the way it brought so many of our fears to life.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you want to skip ahead, here’s how the episode breaks down:

0:00 Intro
0:23 “Years and Years” review
30:07 “Years and Years” spoiler discussion


TechCrunch

It’s been barely more than a year since the “Queer Eye” revival premiered on Netflix, but the series is already back for its fourth season.

This time around, the Fab Five finds new makeover subjects in Kansas City (with a detour to Quincy, Illinois, where hairstylist Jonathan Van Ness grew up), offering their custom mix of lifestyle tips and intense emotional conversations. In many ways, the new season serves as a reminder that “Queer Eye” remains one of the most compelling titles in Netflix’s reality TV lineup.

At the same time, some of our excitement is wearing off. That’s not to say that the show is weaker, exactly — but the formula is becoming more familiar, and the contrivance of whirlwind life changes all taking place in a handful of days feels a little harder to swallow.

We also had reservations about Karamo’s big decision in “Disabled But Not Really,” where he asks the episode’s subject Wesley to meet with the man who shot and paralyzed him years earlier. It makes for suspenseful and moving TV, and Wesley seems to find the conversation rewarding, but we argued about whether the sequence felt more contrived and exploitative than helpful.

In addition to reviewing the latest season of “Queer Eye,” we also discussed our first impressions of the new Netflix science fiction series “Years and Years,” which Jordan was particularly excited about because it stars Katee Sackhoff of “Battlestar Galactica.” This, in turn, led to our thoughts on the new trailer for “Star Trek: Picard.”

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

And if you’d like to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:28 “Another Life” first impressions
17:32 “Queer Eye” season 4 review


TechCrunch

“Point Blank,” a new Netflix original film, stars Frank Grillo and Anthony Mackie as a criminal and a nurse thrown together by circumstances — Abe (played by Grillo) is struck by a car while fleeing a murder scene, and he’s brought to the hospital where Paul (Mackie) works. Soon, Paul finds himself coerced into to breaking Abe out of the hospital.

Despite the presence of two Marvel stars (Grillo had a brief-but-memorable run in the Captain America movies as Brock Rumlow, while Mackie’s Falcon is about to become the new Captain America), “Point Blank” is a decidedly modest affair, focusing on these two men as they drive through the streets of Cincinnati, on the run from both the police and criminals.

There’s nothing wrong with trying to deliver a straightforward crime movie, but as we discuss in the latest episode of the Original Content podcast, we found ourselves underwhelmed by the results, largely because the film was so by-the-numbers.

Yes, there are moments when “Point Blank” tries to surprise the audience, but most viewers will see the twists coming a mile away. And while the movie (based on a French film of the same name) seems to owe a debt to buddy cop movies like “48 Hours” and “Lethal Weapon,” it lacks the finesse needed to balance its jokes with high-stakes violence.

We also discuss AT&T/WarnerMedia’s announcement that it’s taking “Friends” off Netflix, so that it can bring the show to its upcoming streaming service, now called HBO Max.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also send us feedback directly. (Or suggest shows and movies for us to review!)

f you want to skip ahead, here’s how the episode breaks down:
0:00 Introduction
0:39 HBO Max
13:27 Point Blank review
26:24 Point Blank spoiler discussion


TechCrunch

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